"All About Eve" and Marilyn.
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(6 pp.)It has been suggested that the 1950 movie "All About Eve," should be reclaimed and included in the history of feminist film theory. The writer will discuss that and the "talking" i ntroduction of Marilyn Monroe in this film, and her own applicability within feminist theory discussions. Bibliography lists 5 sources.
Filename: Bballeve.doc

"All That Heaven Allows"
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4 pages in length. The notion of May-December romances in Hollywood movies is certainly nothing new where thematic content is concerned; however, when the notion of social class crossing is added to the mix, then the once-ordinary theme of older woman/younger man relationships takes on an interesting new twist. Rock Hudson and Jane Wyman play the two love struck characters in director Douglas Sirk's 1955 film entitled "All That Heaven Allows," which dares to challenge unwritten social policy that mandates people of each economic class must remain within their respective boundaries when it comes to seeking love. Bibliography lists 1 source.
Filename: TLCHeavenAll.rtf

"American Beauty": Dysfunctional Marriage
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5 pages in length. Kevin Spacey and Annette Bening play Lester Burnham and Carolyn Burnham, a seemingly happily married couple in Sam Mendes' "American Beauty" – by typical social standards, that is. What actually lurks beneath their otherwise normal relationship is the discontentment of one man's desire to live more of his life than merely being a cookie cutout of average people. Lester longs for excitement and intrigue to fill his lonely, boring life, and he has learned over the years that he cannot get these things from his own marriage. In essence, Lester and Carolyn have grown apart rather than together, no longer sharing the same elements that originally brought them together as a couple. What has come to pass that inevitably inspires Lester's mid-life crisis is a combination of lost youth, a life that is going nowhere, his marriage becoming more of a drudgery than an enlightening experience and a general sense of failure. Bibliography lists 5 sources.
Filename: TLCamerB.wps

"Andrew Lloyd Webber's Phantom of the Opera"
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This 3 page paper explains why the recent film of the "Phantom of the Opera" has had such a powerful impact. Bibliography lists 1 source.
Filename: HVPhantm

"Angels and Demons" by Dan Brown: A Film Proposal
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A 3 page paper which examines how Dan Brown's novel "Angels and Demons" could be turned into a very powerful and entertaining film. No sources cited.
Filename: RAangdn.rtf

"As Good As It Gets": Obsessive-Compulsive Disorder
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5 pages in length. Hollywood is well known for depicting real-life health concerns as a means by which the public may become more educated on the given topic. In James L. Brooks' As Good As It Gets, Jack Nicholson plays an obsessive-compulsive writer whose life is somewhat hampered by his involuntary disorder.. When discussing the fundamental properties of obsessive compulsive disorder (OCD), the student will want to note that the individual is compelled to perform repetitive actions – such as washing one's hands several times in a row, checking and rechecking that appliances are turned off or being irrationally fearful of things that do not warrant such a reaction – to the point of extreme excess. These rituals ultimately overtake the individual's entire existence that some people are paralyzed from partaking of typical social functions. Research findings indicate that nearly 2.5% of the population suffer from OCD at some point throughout their lives, with three to five million Americans of both genders and all race/socioeconomic background overwhelmed by the disorder every year. Bibliography lists 7 sources.
Filename: TLC_OCD.rtf

"Babette's Feast"
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A 5 page discussion of the film "Babette's Feast," based on the book by Isaak Dineson. The paper presents a summary of the film, an examination of the message within the film, a discussion of the film presentation, and also looks at what we may learn from this film. Bibliography lists 1 additional source.
Filename: RAbabett.wps

"Boys Don't Cry": Historical Implications Of Gender Assumption
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6 pages in length. The impact of historical American gender assumptions and gender expectations upon Brandon Teena, the main character in 1999's Boys Don't Cry, illustrates the perpetual cycle of racism that has permeated society for centuries. When the student considers the extent to which Teena goes in order to live life as a male, rather than the biological female genetic composition with which she was born, it becomes very clear how unevolved society is as a whole when it comes to people living outside the ever-stringent boundaries of social dictates. Bibliography lists 5 sources.TLCboys.rtf
Filename: TLCboys.rtf

"Breakfast at Tiffany's" and "Sunset Boulevard": The Portrayal of Women
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A 6 page review of these classic movies. Outlines the plot and points our both commonalties and contrasts between the lead female characters in each. Concludes that while each is desperately trying to control their own societal circumstance, it is really that circumstance which is controlling them. Bibliography lists 4 sources.
Filename: PPmvTiff.wps

"Bring It On": How The Film Shapes World Views In Terms Of Gender, Race, Class And Sexuality
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7 pages in length. Peyton Reed's 2000 production of Bring It On, a film that humorously portrays issues of teenage sex, is a primary example of how contemporary film shapes social views in terms of gender, race, class and sexuality. The manner by which this movie tends to instruct people how to perceive themselves relates to the influence that popular culture has over the general public. The image of power, gender and class roles in popular culture reflects significant patriarchal control, with the manipulation of the female gender a pertinent component of its objective. Bibliography lists 7 sources.
Filename: TLCbring.wps

"Casablanca": Patriarchy And The Film's Ending
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5 pages in length. Analyzing the film Casablanca for problems may appear a bit difficult, inasmuch as the classic movie leaves little for one to criticize. However, looking deeper within the film beyond what one finds on the screen leads one to its production issues, with the most significant of all being that there was no planned ending until quite late into the shooting schedule. Seventy-five contract writers were given the task of developing an ending that would a) complement the film's story, b) be as logical as possible given the movie's already enigmatic tone and c) not offend the censors. This monumental task would haunt both writers and production crew until the very last minute when the historical scene was conceived. Bibliography lists 6 sources.
Filename: TLCCasab.wps

"CITIZEN KANE" AND "VERTIGO": SENSE OF SPACE
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The writer discusses the fact that this particular sense of filmatic space is not restricted only to technical or visual effects, but rather, it also involves the vast social, psychological and political uses of space, as well. These two films effectively capture a sense of space -- both indoors and outdoors, expansive and claustrophobic -- that is not only thematically explored but also significantly exploited by the directors. Bibliography lists 7 sources
Filename: TLCspace1.rtf

"Crouching Tiger, Hidden Dragon"
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An 18 page paper which discusses how the film "Crouching Tiger, Hidden Dragon" was distributed in China, yet appeared to be a flop. The success of the film in America is also discussed. Bibliography lists 5 sources.
Filename: RAcrouching.wps

"Deadwood" - Both Creates And Defies Generic Conventions
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6 pages in length. One might readily argue how genre is little more than what humanity has spun into recognizable categories whereby films and television programs readily exist. The extent to which generic conventions are paramount to establishing the proper style of depiction a given movie or show portrays is both grand and far-reaching; that contemporary productions have regularly sought to break new ground where long-established genre is concerned speaks to the greatly expanded approach to reinventing generic conventions that both create and defy traditional application (Hoggart, 2004). HBO's Deadwood - a western "detailing the birth of a civilization on the outskirts of the 1870s American frontier" (Shimanovsky, 2006, p. 28) whose success has taken virtually everyone by surprise (Perret, 2005) - is one such production that has, for all intents and purposes, turned the western genre on its ear; not only has creator David Milch magnified the dialogue in what has long been believed to be mild mannered exchanges between somewhat civilized people, but he has displayed a raw and earthy persona the likes of which causes viewing audiences to be taken aback by the bold suggestion that people were actually as crude, lascivious, barbarous and ruthless as Deadwood overtly suggests. Bibliography lists 8 sources.
Filename: TLCDeadwood.rtf

"Death of a Salesman" and "An American Beauty": The Myth of the American Family
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A 7 page paper which discusses the play "Death of a Salesman" and the recent film "American Beauty" and illustrates how they help to demonstrate that the perfect American family is only a myth, never achieved. Bibliography lists 16 sources.
Filename: RAmythfam.wps

"Die Hard" and "Passenger 57"
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A 5 page paper which compares the films "Die Hard" and "Passenger 57." Bibliography lists 3 sources.
Filename: RAdiehrd.rtf

"Eh, Joe"
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A 5 page paper which analyzes the television play "Eh Joe" by Samuel Beckett. Bibliography lists 4 additional sources.
Filename: RAehjoe.wps